If you’re into gritty, barbed-wire-laden British post-punk, the Nothingheads should already be on your radar. Leaning heavily into punk while maintaining a sharp-edged groove, their debut full-length, The Art of Sod (Sister 9), delivers an unapologetically raw experience. This album thrives on roughness and resistance. The London-based band approaches their…
Category: Post Punk
Video: Squid – Crispy Skin
Squid’s post-punk has always had an artful edge, reaching a pinnacle with O Monolith in 2023—a complex, multifaceted, and somewhat weightier work. Now, with Cowards (Warp) set for release on February 7, the British band’s third album promises an even broader canvas, as suggested by the first single, “Crispy Skin.”…
Review: YAR – HYSTERESIS
Collectives often have many voices, making it hard to find a unified direction. Now, YAR from Paris are giving it a shot. HYSTERESIS (Le Cèpe) is their first, fairly concise result. Something between post-punk and indie rock, with layered vocals—not quite Kim Gordon/Thurston Moore, though Tara Clamart comes close to…
Video: FACS – Wish Defense
Two notable points about the upcoming album from FACS: Wish Defense (Trouble In Mind), set for release on February 7, is the last work engineered by Steve Albini, who passed away on May 7 of this year. Additionally, the Chicago band welcomes back original member Jonathan Van Herik. Together, they…
Review: A Place To Bury Strangers – Synthesizer
Maybe it really did become too much at some point. Or is “It’s Too Much,” from A Place To Bury Strangers‘ new album, actually a hidden message? Could it be signaling that the endless noise and technical tinkering have finally run their course? Synthesizer (Dedstrange), the Brooklyn band’s seventh LP,…
Review: Crows – Reason Enough
Perhaps it was the change of scenery that pushed the punk out of Crows. Instead of writing their songs in a small East London studio, the British band composed them in the countryside, in a former Catholic church. This may have contributed to why Reason Enough (Bad Vibrations) sounds so…
Review: Tramhaus – The First Exit
Will Tramhaus become a truly big band? Their 2022 EP Rotterdam already hinted at it, and their new album The First Exit (Subroutine) further reinforces this possibility. The record smooths out a few rough edges and delivers Post Punk with a touch more drama and intensity. The band from Rotterdam…
Review: Die Nerven – Wir waren hier
As a band in the midst of their adolescence—14 years of Die Nerven—we’ve grown alongside them and now find ourselves in a unique phase. Their raw early work, which culminated in the masterpiece Fun, evolved into gripping indie rock by the time of their 2022 self-titled album. “More mature nihilism,”…
Video: Nothingheads – Private Pyle
London-based Nothingheads play their post-punk loud and raw, weaving in psychedelic twists. The full experience will be available on November 8th with the release of their debut LP The Art of Sod (Sister 9). Ahead of that, the band has shared their new single “Private Pyle,” a noisy track with…
Review: Artifical Go – Hopscotch Fever
Artificial Go is the latest addition to Cincinnati’s thriving punk scene. The raw trio is making their first attempt with Hopscotch Fever (Feel It / Future Shock). It’s an “attempt” because there’s still a lot that’s undefined here. The LP’s eight short tracks present a variety of ideas ranging from…