Ten years after the release of their debut album “Ganglion Reef,” Wand has seen significant changes. Of the original lineup, only Cory Hanson and Evan Burrows remain. Alongside personnel changes, their sound has also evolved. What started as raw garage rock has transformed into a more layered rock sound, reminiscent of Radiohead post-“Kid A.”
Their first LP in five years, “Vertigo” (Drag City), is now set to release. In the interim, Hanson embarked on solo projects, which, though rooted in Wand’s sound, ventured into Western territories.
The band describes the creation process as very intricate, emerging from jam sessions and then being reworked multiple times. The press release describes it as “Folk for kids, with synthesizers and all that other crap.” However, the new Wand album shouldn’t be imagined as overly whimsical. Raw sounds meet warm, soothing elements. Hanson’s voice floats through complex soundscapes.
Jazz, pop, rock, and noise are all accurate descriptors. Remarkably, the songs are arranged organically and flow seamlessly into one another, contrary to the piecemeal process described by the Californians.
The gently quirky “Mistletoe” sways rhythmically, followed by the tiptoeing “JJ.” It’s a rich album that never feels overwhelming. There are many playful elements, but none feel unnecessary. “High Time” rises from its bed of nails and propels “Seaweed Head” across a glassy lake. Those who immerse themselves in the album will find an inner calm.
Wand – Vertigo: Rock with a delicate touch. – RIFL
